Janks Archive: Pittsburgh
Pittsburgh, PA, USA
as part of the 2014 Pittsburgh Biennial Exhibition

September 17 – 20, 2014
Collection Events around city of Pittsburgh

September 19 – October 5, 2014
Exhibition at the Miller Gallery at Carnegie Mellon University

Pittsburgh Biennial Sandwich Board Archive Posters poster 1 poster 2 poster 3 poster 4 poster 5 poster 6 poster 7 poster 8 Eternal Insult diptych 1 Eternal Insult diptych 2 Eternal Insult video installation detail Eternal Insult video installation detail 2 Northside Collection Event (9-17-14) Gooski's Collection Event (9-17-14) Bloomfield Collection Event (9-18-14) Bloomfield Collection Event (9-18-14) Sandwich Boards on the move Carnegie Mellon Collection Event (9-20-14) Carnegie Mellon Collection Event (9-20-14)


janks \‘jaŋkz\ n, pl, slang [Alabama]:
jokes intended to directly insult the recipient by attacking personal attributes (such as physical appearance, intelligence, competency, socioeconomic status, familial and interpersonal relationships), often leading to verbal sparring

snaps, disses, slams, burns, jibes, digs, cut-downs, slaggings

<you are so skinny you have to run around the shower to get wet> [USA]
<I’ll cut you down so low, you’ll have to hold a sign that says “don’t spit, can’t swim”> [Alabama]
<you’re about as useful as a chocolate teapot> [Belfast]

Janks Archive is an ongoing investigation and collection of insult humor from cultures around the world by artists Jerstin Crosby, Ben Kinsley, and Jessica Langley. Insults are an ancient oral tradition embedded within the collective consciousness of a culture or region with inherent ties to human social evolution. How people insult one another and what is perceived to be “bad” or “unattractive” differs from place to place. While the intention appears, at first, to be cruel and negative, janks are in fact an integral aspect of human interaction, used as much to establish dominance as to strengthen camaraderie.

Janks Archive documents this tradition through crowdsourcing and field recordings. Their international public collection events allow them to film willing participants reciting janks from memory and gather contextual information (such as where they heard it, in what setting, and approximately when) in an attempt to trace origins.

Collected material is organized by geographic location and keyword tags to group janks by subject matter. The archive is presented through editioned publications, public exhibitions, and their website janksarchive.org. The team will collect and feature Pittsburgh’s finest jokes for the archive, which will be on view for the first two weeks of the exhibition.


Janks Archive collective talks about their Pittsburgh Biennial project (5:05-11:05)